Ring Down the Curtain - The Critic by Anand Tucker (dir) ...

In 1962, Martin Heidegger went on a cruise to the Aegean. Going to Greece had not been an easy decision. Seven years earlier he had got so far as to buy train and boat tickets; when the enormity of ...

Do you know what happened in Lyon in AD 177? Or in Milan in 1300? Or in Baroda in 1825? You probably don’t, but you shouldn’t worry: few do. Whatever happened, it was, by ordinary standards, something ...

Alice Prin, known as Kiki de Montparnasse, died one day in 1953, on the little triangular place at the intersection of the Boulevard Montparnasse and the Boulevard Raspail, within sight of both the ...

In the Nancy Mitford novels there is a character called the Bolter. She is the narrator’s mother who lives in Kenya and parks her daughter on an unmarried aunt. She is always falling for unsuitable ...

Describing in an American publication her puritan, nonconformist family, Beatrix Potter wrote: ‘I am descended from generations of Lancashire yeomen and weavers, hard-headed, matter of fact folk … ...

With The Real Lolita, Sarah Weinman might be said to have invented a completely new genre: true-crime literary criticism, which is not to be confused with truly criminal literary criticism, which, of ...

Forgive me if I sound a bit fractious, a little staccato this month; the imminent arrival of the Academy Club downstairs has subjected us to long weeks of shuddering floors and dull reverberating ...

The days when LSD made headlines as ‘The Most Dangerous Thing Since the Atom Bomb’ are long gone; now we’re in a ‘Psychedelic Renaissance’, with Prince Harry drinking ayahuasca tea and Mike Tyson ...

The London art market has changed drastically in the last few decades. Regency-style dealerships have been replaced by white-box-style galleries. Only contemporary pieces turn a profit.

The London art market has changed drastically in the last few decades. Regency-style dealerships have been replaced by white-box-style galleries. Only contemporary pieces turn a profit.

The London art market has changed drastically in the last few decades. Regency-style dealerships have been replaced by white-box-style galleries. Only contemporary pieces turn a profit.